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home » festivals » The Warehouse Project » Parklife Festival 2011
Parklife suffers from noise issues on day oneParklife Festival 2011 reviewMonday 20th June 2011 A beautiful Saturday afternoon in Manchester, and most of the student village of Fallowfield were heading to the local Platt Fields Park to the fledgling festival Parklife. The sun, the atmosphere, and the prospect of seeing New York comic book hip hop legend MF Doom had my expectations perhaps unrealistically high as I entered the Now Wave tent. And this made my disappointment even harder to swallow.
A little disappointing, but the feeling would have passed if there were any redeeming features. The fact that it was impossible to hear any of the lyrics, and just as difficult to hear any of the intricacies of the beats, reduced the spectacle to that of watching a man in a mask mumbling over a fuzzy bass line. To be fair to the man, he was calling to have it turned up the whole way through, but with his request denied this made the whole experience that much more awkward. This issue with volume, unfortunately, tainted the entire day. The Hospitality tent was showcasing some of the biggest names in liquid drum and bass out there, but there is literally no point in seeing them if you can hear the crowd talking over the bass. The only conceivable reason anyone would pay such high prices to see dance acts like this is to hear them on a decent sound system, and hear them loud. Even the likes of Kelis suffered from this problem. The driving house beat of her new album made many of her songs indistinguishable; there was just a relentless thud… thud.. thud… while her voice struggled to be audible over the top.
Modeselektor, the German electronic outfit and headliners of the Chibuku Presents… stage, were the only really enjoyable act on Saturday. The volume was at an acceptable level in this tent (though it still should have been louder!) and the driving glitchy techno beat helped to drown out the sound of talking, or of other tents nearby. The music was chaotic and unrelenting, and the visuals disorientating, making for an intense ninety minutes of furious dancing. This was a good ending to what had been a terrible day. The quietness was no doubt due to the fact that the park is in a residential area, and that the tents were so close together. But this sacrificing of quality just so they could cram as many artists as possible into an area that is walking distance from Manchester's student population, makes the organiser's priority seem all too clear: they wanted to sell a lot of tickets.  review by Robert Knowles photos by Matej Krchnavy 
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