Cambridge Folk Festival 2010
Thursday 29th July to Sunday 1st August 2010Cherry Hinton Hall Grounds, Cambridge, Cambridgeshire, CB1 8DW, England MAP
£108 for full weekend
Saturday's performances in the Club Tent came from the very entertaining Hobo Jones & The Junkyard Dogs and an impromptu acoustic session from Jeff and son Seth Lakeman. The Junkyard Dogs are a three-piece Skunk outfit (blending Skiffle and Punk genres), who fashion their own instruments from various inanimate objects and get the crowd involved in their performances. They performed a few tracks including a dedication to the King of Skiffle, Lonnie Donegan and a rousing version of 'What Shall We Do with the Drunken Sailor'.
Stage 1 performances on Saturday came from Scottish multi-instrumentalist and singer Julie Fowlis, Irish folk wonders Dervish, the dazzling Pink Martini and headlining, the incomparable Natalie Merchant. Julie Fowlis is from the Hebrides and sings in her native tongue, she even tried to teach the crowd a few basic snippets but it didn't seem to be catching on easily! I found myself thinking about the similarities between Gaelic and Celtic traditional pieces and reasoning that both sounds span generations and geographical locations, bringing a sense of an uplifted and spirited atmosphere. Fowlis performed a total of eight treatments of traditional Gaelic as well as more contemporary pieces and the crowd gave her a hearty applause as she left the stage.
It was clear that a huge draw for the festival this year, came in the form of former 10,000 Maniacs singer, Natalie Merchant. As Merchant took to the stage to deafening applause, it felt as if you were in the presence of someone truly exciting and the anticipation was palpable. Kicking off with the slow and easy country-rock of 'Cowboy Romance', Merchant then introduced her band and said how happy she had been to be invited to the festival this year. Merchant performed a series of pieces which were based on late 1800's poems from both British and American sources. She has recently released an album containing these tracks entitled 'Leave Your Sleep', which contains an elaborate mix of styles including folk, reggae, bluegrass and Cajun. Merchant could certainly never be typecast in to one genre, that's for sure. Her voice is full of soul and her performances captivate in a way I hadn't quite yet seen at the festival; not to take anything away from previous artists of course, but Merchant was something else.
The simple lyrics to tracks such as 'The Janitor's Boy', and 'Isobel' highlighted Merchant's ability to adapt any narrative to music. Covering Fairport Convention, Merchant said that she had visited Westminster Abbey with her daughter that day and had discovered the final resting place of a couple of those poets whose work she had adapted. 'Carnival', and 'Kind and Generous' were especially well received by the crowd with lots of singing along and dancing in the fields. Merchant is a lovely performer and her on-stage antics seemed to reverberate across the crowd, leaving everyone with an upbeat demeanour and smiling face. The band finished with their favourite piece to perform live, 'The Walloping Window Blind', a piece inspired by the children's poem by Charles E Carryl. The applause for Merchant rang out long after she had left the stage; some of which was coming from the little girl sat next to me, who I later discovered was her daughter.
Another of the weekend's highlights for me were Gretchen Peters and Salsa Celtica. A true country great, Gretchen Peters has been likened to Dolly Parton and Emmylou Harris and has a simply staggering back catalogue of tracks which she has written for herself and her peers. Her track 'Independence Day', sung by Martina McBride, was the number that I was previously most familiar with; however, as Peters started her set I found myself recognising more tracks than I had expected. Peters is a captivating performer, she tells stories both in banter and in song and had a real unassuming nature about her, epitomising the festival and its artists overall for me. This was Peters' nineteenth tour of the UK and she said that she had always been surprised to come over here and see that people actually show up to see her perform surely not?! I found Peters' voice smooth and sultry; perfect for country and roots music and it was clear to see why she has enjoyed the level of career success she has to date. Peters said that she writes about love and the beauty of everything and there was certainly a lot of love in the crowd for this artist. She has a best of album out at the moment, which I very much look forward to getting better acquainted with.
I couldn't compliment Cambridge City Council more on their organisational and technical prowess throughout the weekend, with both artists and festival-goers having a great time and quite genuinely not wanting the weekend to end. I am counting down the days till next year's festival and am already drawing up my dream line-up as we speak!
review by: Shelley Hanvey
photos by: Zoe Jane Lawson
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