Isle of Wight Festival 2012
Friday 22nd to Sunday 24th June 2012Seaclose Park, Newport, Isle of Wight, PO30 2DN, England MAP
£160 weekend no camping, with camping sold out
Daily capacity: 90,000
After the problems of the previous day, the ongoing storm on Twitter and Facebook decrying the state of the festival calling for it to be banned, taken off the Island, or for John Giddings to personally pay for everyone on the Isle of Wight's Council Tax as compensation (yes that last one is real), and some of the national press dutifully displaying pictures of people wading knee deep through seas of mud left us wondering what we would find. Although the rain had passed, and the skies were reasonably clear, strong winds were still gusting round the site, so the organizers took the decision to close off the main arenas until 4pm, rather than opening them earlier as originally planned.
It's a fact that if you go to a festival several times you will develop a fondness for certain areas that will become your default spot somewhere you go when nothing on the other stages appeals, and for us at the Isle of Wight Festival it's the Kashmir Café. The café has performances from local bands, and more importantly, is the only place where you can escape from the Strongbow and Carling that the rest of the festival serves, and enjoy a proper beer from one of the local breweries. Arriving at the café we were expecting to see performing, but were surprised instead to see catch the tail end of a band that I had thought disbanded a few years ago. Cozy Flashbak was one of the bands that looked like they might breakout of the local scene and go national for a while, and it was good to hear them perform again. Kashmir changeovers are a fairly quick and laid back affair and Dr Jones and the Blunt Instruments came on effortlessly, this may be due to the drummer's kit almost being permanently set up as he plays with not just one but four bands over the weekend. Their set is always a firm favourite for locals and visitors alike.
In interviews with festival organiser John Giddings, much was made of his 'American trilogy' of headliners, and the fact that he matched them with three big British acts in support. The first of these was Elbow a band who after several years in the wilderness finally got the recognition they deserved with their third album. There seems to be a lot of love for them these days, and this was in evidence as they took to the stage, the wave of good vibes the crowd gave off was physically noticable. From the opening of 'Starlings' lead singer Guy Garvey had the crowd in his palm, literally at one point when what started as a simple "Raise your hands" quickly descended into Guy getting 50,000 people to scratch each others heads, give peace signs and shout 'fuckoff' in unison. "Isle of Wight is a mouthful, do you mind if I called you Izzy?" he asked, and to be honest, I think he could have called them all wankers and they wouldn't have minded. Musically Elbow's songs are a mix of confessional highly personal songs with an epic feel at times more a soundscape than a song, and as the sun set to the left of the stage, it fit perfectly. They finished with the song that launched them to the big time 'Beautiful Day', it seemed that the mud and bad memories of the previous day finally melted from the minds of the crowd and they were finally united in a moment.
Having grown up with his music I was looking forward to finally seeing him live, and glad to say he didn't disappoint. However he didn't quite manage to beat the previous performance by Elbow, and the Friday of this year's Isle of Wight Festival belonged to them.
review by: Steve Collins / Marie Magowan
photos by: Steve Collins
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