WOMAD 2011
Friday 29th to Sunday 31st July 2011Charlton Park, Upper Minety, Malmesbury, Wiltshire, England MAP
£135 for three days, teenagers (14-17) £70, under 13s free
Daily capacity: 22,500
WOMAD has at last properly moved into it's new home, it's taken a few years, but at last the crowds reminiscent of the Reading site have been drawn to the new (it moved here in 2007) site at Malmesbury. It's not so much the Islington Mothers that used to flock to Reading, it seems it's more the attraction of the music. You had only to watch the long line of creative exhibits in the Kids Procession on Sunday, at last a snaking line of creativity as sizeable as those that meandered through Rivermead, to realise WOMAD has once again found a healthy audience of all ages.
Certainly with only a week to go it did not look likely that there would be a 29% increase in numbers on last year, and no one was predicting crowds of 35,000. But perhaps the warmest, barmy night of any festival on the calendar so far this year on early entry Thursday attracted the masses. Perhaps the unpredictable long range weather forecasts we get these days, combined with the increased worth of money in the pocket has slowed ticket pre-sales before some events to more normal levels, ones we became accustomed to throughout most of WOMAD's 29 year history.
The festival had almost perfect weather conditions, although perhaps the weather hanging around an hour or two too long on Friday morning, but it stopped before the first act Jazz Jamaica hit the main stage with some old school reggae. It may not have been blisteringly hot, but it was very, very pleasant, to unwind beneath the fluttering flags without a coat or wellies, and still be dressed in a T-shirt at night.
It's not just the familiarity of world music, there's a slow seep of more guitar, and electronica in popular world music these days, often with young musicians preferring to replace the more traditional instruments. What they then produce is something we are much more familiar to hearing on these shores. The music on offer at WOMAD by many world musicians these days could perhaps be just as popular at other UK festivals in the busy calendar, and indeed many world music and dance acts do show up elsewhere these days.
From the early Thursday entry acts of Easy Star All Stars and Bellowhead through to an amazing rocked out energetic weekend headlining set by Alpha Blondy, the guitar flourishes of Rodrigo Y Gabriela, the laid back vibe of Baaba Maal, and the gypsy punk energy of Gogol Bordello we all had a chance to savor what was being played and participate. It's this latter part of the audience's role that is worth looking at. These days world music has an ace up it's sleeve, the familiar re-working of one or two well known popular western tunes. Where once there was nothing in an hour long set the less eclectic listener could relate to, now an interesting re-workings will pop up throughout most sets.
There were plenty here like Fatoumata Diawara, Danyel Waro, Ana Moura, Nomfusi & The Lucky Charms, Lokkhi Terra, Aurelio Martinez, and more. WOMAD also boasts a unique opportunity for acts to cook and play on the Taste The World stage.
Another interesting effect of having a less defined policy of age targeted music programming, compared to more mainstream festivals, where the (world) DJs weren't placed on the bill for the teens, and the folk bands weren't old and creaky, means that the age range in the audience in front of most events all weekend was varied. This mixing of the old and young is something that used to happen much more at festivals. Where youngsters dance in unity with the old folks, not in a separate tent in a separate field. Although it was noticeable that there were less late teen, early twenty-somethings around compared to last year. There was still more youngsters at the 'club' sets in the Big Red Tent, and certainly the old folk were outnumbered in the San Fran DJ Bar. At one point they were so enthusiastic during the Dub Pistols' set, that the London dubbers were asked to let the audience chill out for a bit.
There is however an increasing number of people at WOMAD who are un-interested in listening to acts, what motivates them to come to a festival? These people talks loudly and incessantly throughout the entire set in the middle of the crowd. They don't move away from the act's performance to chat, or move to the less interested edges of the crowds, or better still go somewhere else on site entirely where they can shout loudly without ruining other people's enjoyment. Instead they imbed themselves in packed crowds, disrespect the musicians, and are incredibly annoying.
Worryingly, as a festival reviewer, that is my only gripes, the rest of the weekend was wonderfully stress free, and I'm a record breaker, to boot! Thanks to our air guitar gathering on Sunday morning. I forgot my guitar and had to borrow a ukulele. It put the icing on a great weekend, I ate some lovely food, saw a celebrity or two in the crowd like EastEnder's Patrick, and I saw some great acts - see the music reviews. I'll be back next year for the 30th Anniversary.
review by: Scott Williams
photos by: Karen Williams / Phil Bull
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