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Who is the 3rd headliner likely to be?


Guest adele92

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Yes, and there is evidence in terms of how bands sounded pre-TH and post-TH. It's not a proven fact, because it's not possible to rule out another band having influenced TH, however there is nothing to disprove it, and some to prove it, hence why I can objectively state it.

Clarifying everything with 'In my opinion' is a pile of w*nk, there's no need to do that.

And some bands are objectively more talented than others, objectively more original than others, and objectively better than others. The idea that music is an entirely subjective issue is WRONG.

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Talking Heads were around for a good 16 years, of course bands sounded different before and after, that doesn't mean that it was all down to or even more than partly down to them. "I'd say bands sound different in 2013 than they did in 2001- I'd say this is down to Girls Aloud" is a statement with just as much credibility.

It's not a pile of w*nk, it's the sensible, mature thing to do in order to not insult people or start an argument for no good reason other than your own egotistical opinions.

Fact is it IS all down to opinion, just chucking the word "objectively" on top as if it's some divine justification doesn't make any difference.

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It can be objectively analysed - but it's your subjective interpretation of the analysis, as well as your response to the human element of music which makes it so pointless to purely exercise an objective stance. I understand that point per point analysis can and does exist; At The Drive In use more technical polyrhythms than All Saints. But some will like this, some won't. It's a trait, not a strength.

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It can be objectively analysed - but it's your subjective interpretation of the analysis, as well as your response to the human element of music which makes it so pointless to purely exercise an objective stance. I understand that point per point analysis can and does exist; At The Drive In use more technical polyrhythms than All Saints. But some will like this, some won't. It's a trait, not a strength.
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Yeah I've just read it.

But by the same argument, Dookie sounded different to the other punk pop bands of the time, and was arguably the best album of the genre at that time, so is that an example of Green Day not being shit? To be honest, this has all gotten rather silly, if you enjoy a band, for whatever reason, then who cares what anybody else thinks. Because at the end of the day, first and foremost, music should be about the enjoyment of the listener (from a consumers point of view at least).

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I like to objectively analyse my music tastes. I mean, I have my "guilty" pleasures (I don't argue that AC/DC are a fundamentally imaginative and complex band), but in general, I like to critique music, argue about its qualities, analyse it personally. I don't expect everyone else to. People that like Green Day can listen to Green Day. I won't. I'll still take the piss out of them if I feel it'll amuse me to do so though, just like others here will take the piss out of bands they don't like.
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I guess that's your prerogative, but for me that takes away some of the beauty of what music can be about. For me it doesn't always have to come down to complexity, I think there's a skill to writing a simple catchy melody and having the ability to make someone smile through music. It must be hard work having to analyse everything before you can truly enjoy it.
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A good example of this whole shebang is me with 2 albums. Nevermind, and American idiot. I love nevermind, it just is a good listen, however, as a songwriter, I think the songs are so simple, and its easy to replicate similar sounding songs. As song structures, a lot of it is the same chords for verse chorus, just boosted with distortion, and that to me is as simple as it gets. Even the solo to teen spirit is just the vocal melody. Same for American idiot, you could argue "shit" guitarists and musicians could make it, but sometimes, when you don't focus too much on that and just on how the song makes you feel, then it can sound great.

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