I couldn’t believe the sheer amount of footage available on iPlayer last year, for a month, was great to be able to watch everything I missed at the fest.
having ownership forever seems a bit much though, given bands are having to pay to get there themselves.
From a commercial perspective, I don't think Emily would like to have 2 consecutive years of criticism towards a line up or headliners. Ticket prices are ever rising, and expectations are higher than ever. I don't think the popularity of the festival will ever diminish but that sort of scrutinty would rather be avoided.
The only time, in my opinion, should you promote from below is if someone cancels last minute a la Foos in 2015, and/or you've been able to get someone booked as sub who have taken a slot below their usual festival standings (Paramore as a possible example this year). There's enough time to speak to acts now, and speak to someone who sets Glasto apart from the rest of the festivals in UK/Europe, which was always the case 10 or so years ago.
A line up of O-Rod, 1975, Muse/Pulp/Charli XCX/Sam Fender heck even Paramore, is a weak trio I think, and doesn't stand out from any festival across Europe. Purely because its missing the name that Glasto used to get and would raise eyebrows (Stones, Elton John, Radiohead, Adele).
it is not just the BBC, it's a contract, if they had a contract with any company to show the festival agreeing to show it all gets the deal done and for good money. if it was with ITV they would not be happy with the clause saying you can show what we want you to show. the deal with the BBC gets the festival to as many people as possible.
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