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Sound issues


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12 hours ago, HotChipWillBreakYourLegs said:

For Romy too it was too bass heavy for pretty much her whole set.  Which was a shame because her performance in Camden Roundhouse earlier this year was incredible.

I thought the sound was great at Romy, maybe it’s all down to positioning, i was on the left hand side, midway back.   
 

After reading some comments about sound engineering post the Madonna Celebration tour it sounds very complicated to get an even balance everywhere in the venue, and where you’re stood can mean the difference between vocals being higher or lower in the mix or bass being overwhelming.  
 

The sound at Arcadia when we went was great, and we were midway back.. and the pit sound for Dua was awesome.. really bright, clear and powerful.  

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5 minutes ago, faymondo said:

For Justice we decided to walk around the edge until my anal ear for sound got a good speck which was bang in-between the repeaters.

 

This is my game plan with any outdoor stage, hone in on the spot where the sound is going to be right, usually centrally in the path of a repeater if I'm further back or front of house speaker banks.  Sometimes the places with the best view of the stage haven't really got the best of the sound, sometimes wind can pull the sound around and make things sound muddy out on the fringes and sometimes, just very rarely (like Pet shop boys in 22 and the cure in 19) it sounds great wherever you are.

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18 hours ago, Kashkin said:

Ah, we were on the left by the Brothers bar.

We had a similar experience when we started out near Brothers but it got better as we trekked our way towards the middle a bit more.  Still wouldn't say it was that great though for their set which ruined it a little bit for me unfortunately.  That was the only issue I had with sound on any stage all weekend

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Yeah Janelle's bass was just far too loud throughout. We moved back a fair way, to a bit behind the sound mix tents, and it was a bit better so that was OK. Orbital up at The Park was far too quiet though - I wonder if that is licensing issues coz that stage is fairly close to residential (and it finishes much earlier on the Sunday as a result)? But that was a shame.

 

Can't agree with Suprefan that it's the PA gear's fault - the big stages are top-of-the-range Martin Audio line arrays, pretty much the best you can get anywhere, and I find Pyramid & West Holts are generally some of the best live sound I've ever heard, so any poor sound is due to the specific mix of the band at the time

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8 minutes ago, billum said:

Can't agree with Suprefan that it's the PA gear's fault - the big stages are top-of-the-range Martin Audio line arrays, pretty much the best you can get anywhere, and I find Pyramid & West Holts are generally some of the best live sound I've ever heard, so any poor sound is due to the specific mix of the band at the time

 

Everything is better in the states, even how sound travels from top end audio setups managed by teams with decades of experience in the field.

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19 minutes ago, Cooter said:

I tend to agree..

 

the old Glade area this year seemed quite low compared with its eyeball shaking levels of the recent past.

 

If you're talking about Glade Dome there was massive sound bleed from there to the Glade stage, was too loud already so no more volume please.

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Friend of mine was at the Acoustic for Dervish and the Gypsy Kings, both of whom had sound problems that continued for most of their sets, with constant gesturing towards the sound desk.

 

When Arooj Aftab was playing on The Park stage, loud music suddenly started coming out of one of the nearby tents, causing her to ask "What the f**k is that?!" Thankfully that did stop after some time.

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23 hours ago, Olshansky said:

it seemed to me that Cyndi couldn't hear herself for the first few songs.  Maybe her in - ears weren't working properly.  And then I think it shook her confidence.  She was in great shape by the end of the set, but definitely wobbled for the first half.  


Broadly agree, but the vocals (even though out of time AND tune) at the start were way too low in the mix.  And we were close to front/left.

 

There were a few others where the mix wasn’t right. Baby Queen to start with was just drums and bass. Could barely hear anything else, but did improve later on.


Squeeze, Keane, Porn Crumpets, Black Pumas and Skindred however all sounded bang on from the get go.

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