Jump to content
  • Sign Up!

    Join our friendly community of music lovers and be part of the fun 😎


Acid_Haze

Recommended Posts

  • Replies 37.3k
  • Created
  • Last Reply

Top Posters In This Topic

  • FloorFiller

    1190

  • Rose-Colored Boy

    1060

  • Matt42

    1040

  • eFestivals

    1008

They absolutely are. This idea that there's some filter to maintain the alternative nature of the place is long gone. The festival market is as competitive as any other.

Although pop acts make a lot of money, do they appeal to the type of people willing to camp in British weather for 5 days to see music they like? T in the Park decided to have Rihanna headline for their 20th anniversary (in 2013), ticket sales were much slower than previous years and this year pop acts were conspicuously missing amongst the headliners.

There is so much going on at Glastonbury and music taste is so subjective that I try not to complain about acts I don't like playing Glastonbury. However, I feel that when I buy a ticket without knowing the line up I'm pressing a certain trust in the festival, and booking someone like Take That to headline would erode some of that trust for me.

Link to comment
Share on other sites

Complaining that Glastonbury isn't being forward thinking or diverse by not booking Take That is like complaining that Glasto doesn't have a fucking McDonalds stall.

Great analogy.

There is a serious point in relation to the 'every genre deserves its place' stuff.

For a lot of hard-working bands or solo acts who have struggled for years to get traction in the music industry, an appearance at Glasto is gold dust, the ultimate opportunity, a potentially career-defining moment. It's reward for years on the road playing gig after gig in ramshackle venues, without mass marketing, financial backing or high-profile managers and agents.

For the likes of Take That, a rabble brought together by auditions to sell nonsense to the masses, like so many other mainstream acts, Glasto isn't a reward. They were handed huge exposure on a plate. Their place hasn't been earned in any way and it won't make any difference to their careers. It's a travesty having manufactured garbage take the opportunity of an act that would do anything for the same opportunity.

There are many ways for Glasto to be diverse and to reach out to all markets.

You can easily reach out to the mainstream without drilling a hole in the bottom of the musical barrel and scraping the shit out from underneath.

That's what this would amount to

Link to comment
Share on other sites

Although pop acts make a lot of money, do they appeal to the type of people willing to camp in British weather for 5 days to see music they like? T in the Park decided to have Rihanna headline for their 20th anniversary (in 2013), ticket sales were much slower than previous years and this year pop acts were conspicuously missing amongst the headliners.

There is so much going on at Glastonbury and music taste is so subjective that I try not to complain about acts I don't like playing Glastonbury. However, I feel that when I buy a ticket without knowing the line up I'm pressing a certain trust in the festival, and booking someone like Take That to headline would erode some of that trust for me.

But they do appeal to the additional throng that come in for the Sunday only. And much more importantly they appeal to the BBC2 audience tuning in. That big audience is the best advertising they get and keeps the festival in the public eye as the biggest and best. Personally I have nothing against TT - I'd agree with you it's kind of a pointless arguement when there's so much else to do.

But it's the Friday before Christmas - I'm at work but would rather sit and moan on an Internet forum than finish a report.

Link to comment
Share on other sites

But they do appeal to the additional throng that come in for the Sunday only. And much more importantly they appeal to the BBC2 audience tuning in. That big audience is the best advertising they get and keeps the festival in the public eye as the biggest and best. Personally I have nothing against TT - I'd agree with you it's kind of a pointless arguement when there's so much else to do.

But it's the Friday before Christmas - I'm at work but would rather sit and moan on an Internet forum than finish a report.

the "additional throng" are in the minority. It's absurd to suggest the festival should cater to their tastes to this degree. I understand that putting metallica on the sunday is not a good idea, but to think only the most banal of all pop acts will appease them is ridiculous.

The fact there is so much else to do is not the point. The point is the headliners of glastonbury are the flag bearers for the whole festival. Take that are at the very bottom of the pile of people who deserve that prestige. They are the lowest of the low. No redeeming qualities whatsoever.

The amount of people meekly accepting take that as potential headliners is saddening.

Link to comment
Share on other sites

We turned a (dark) corner with Beyonce but the festival is so big now they need to book for the masses.

Take That would go down well. Sadly. Just as Beyonce did.

They're both fucking appalling acts mind you. Dogshit.

yep, Beyonce was the turning point, and i would argue it could have been with Kylie if that had happened in 05 (?)

Link to comment
Share on other sites

I couldn't care less either way, but the idea that pop bands simply turn up at the top of the charts without having to work really fucking hard is nonsense, particularly in the 90s. You'll find bands like Take That were working 16 hour days, 7 days a week to "make it". Compared to that, gigging in a few grotty pubs must sound like a luxury.

At the end of the day, ALL massively successful bands are successful due to some clever or expensive marketing at some point, regardless of whether there was an advert to put them together at some point. Take That write their own songs and have pretty much been masters of their own destiny for over a decade.

The fact that people are losing their shit over the idea of Take That headlining just shows how much they've fallen for the NME "manufactured bands are bad" schtick...

Link to comment
Share on other sites

Surely if Take That were interested in doing festivals then V would be in for them throwing a bucketload of money at them?

they seem to be genuinely interested in doing Glastonbury though - not just festivals in general. i'm sure if they did do Glastonbury then they'd follow it up with other festivals in the following years

Link to comment
Share on other sites

tbh, as a 3-piece i wouldn't see them headlining.

evening on the Pyramid would be where i'd have thought they'd be these days. around where Lily Allen and Ed Sheeran played this year.

and as this page shows, there's an awful lot of absolute dross that has played the Pyramid before, much of it i'd regard as worse than Take That.

nah, they're headliners. albeit, much less impressive headliners now than they would've been as a five piece, but headliners none the less

Link to comment
Share on other sites

the "additional throng" are in the minority. It's absurd to suggest the festival should cater to their tastes to this degree. I understand that putting metallica on the sunday is not a good idea, but to think only the most banal of all pop acts will appease them is ridiculous.

The fact there is so much else to do is not the point. The point is the headliners of glastonbury are the flag bearers for the whole festival. Take that are at the very bottom of the pile of people who deserve that prestige. They are the lowest of the low. No redeeming qualities whatsoever.

The amount of people meekly accepting take that as potential headliners is saddening.

The Sunday crowd might be in the minority - but the TV audience and exposure for the festival isn't.

I don't like it either - but the pyramid on a Sunday night iisn't aimed at me. They're popular - let them go ahead and headline

Edited by Ted Dansons Wig
Link to comment
Share on other sites

Beyonce was only a 'turning point' for the minority of Glasto goers who are particularly precious about seeing the kind of music they personally want to hear. I think the widely held consensus is that she did a great job and was a class act. It's less likely that pernickety music fans are going to enjoy Sunday's headline act, but that's entirely their problem. The bookers don't pick crap artists, just acts that have a broader appeal and are therefore looked down on by some.

I enjoy the fact that each night is taking on its own character, and don't begrudge Sunday being more mainstream-friendly at all. There's usually a great alternative, so what's the problem?

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.

×
×
  • Create New...