PEARL JAM

[jammy2211]

I didn't realise a band could have such history behind them.

One day when I'm really up for getting into the mood for Reading I'm gonna read this whole thread while listening to the whole of rearviewmirror. I'm just curious really as to how many people will be converted into Pearl Jam fans cause of them headlining CW, some people could end up missing out here..

[Olivavu]

I love Temple Of The Dog, 'Call Me A Dog' and 'Say Hello 2 Heaven' are brilliant.

'Hunger Strike' showcases just how good Vedder and Cornell are, and their vocals compliment eachother wondefully.

Matt Cameron does indeed have a fine voice, his backing vocals on the new album are most welcome indeed.

I really like 'Wake Up' from 'Above'. It's a beautifully poised and balanced track.

[Cultseeker]

EDIT: for TOTD I was clearly referring to Mother Love Bone.

TOTD - A piece of very valued history in my collection. Cornell and Vedder singing with the best part of their respective bands about an integral member of the very familial scene that they stemmed from. Times of Trouble is one of the seminal Cornell and Vedder (his interpretation on Footsteps) songs in their illustrious histories. Five star mate, I shall hear no criticism!

[Olivavu]

I didn't realise a band could have such history behind them.

One day when I'm really up for getting into the mood for Reading I'm gonna read this whole thread while listening to the whole of rearviewmirror. I'm just curious really as to how many people will be converted into Pearl Jam fans cause of them headlining CW, some people could end up missing out here..

[Cultseeker]

Olivavu, I see the Longpigs on your wee playlist there pal, where did they go? 'Jesus Christ' is quite simply class. Came out at a time when music was as flacid as pele's c**k too (which added to the appeal no end).

[Messi30]

Totd is a awesome album - but do you prefer footsteps or times of trouble?

as for Mother Love Bone i think it borders on beeing to glam for me - some nice moments tho but I much prefer how things worked out ( not a.wood dying )

[Cultseeker]

I made the point before that people will miss out by neglecting them in favour of Maximo Park...which, in my opinion, is a ridiculous move to make...

[Olivavu]

Olivavu, I see the Longpigs on your wee playlist there pal, where did they go? 'Jesus Christ' is quite simply class. Came out at a time when music was as flacid as pele's c**k too (which added to the appeal no end).

[Cultseeker]

as for Mother Love Bone i think it borders on beeing to glam for me - some nice moments tho but I much prefer how things worked out ( not a.wood dying )

[Olivavu]

Shame you don't dig the bone mate. The self proclaimed gods of love rock. At a time when it was all Motley Crue. If you see it in that context you may appreciate it more. Best music in the world to go surfing too, bar none. Heats up the mojo too.

[Cultseeker]

Mother Love Bone were a fine, fine band.

It's a wonderful precursor for what was to come.

'The Sun Is Often Out' is a very good album. I'm only disappointed that I never got to see them live.

There are some brilliant tracks on there that remind of the summer of 1996, which was a damn good summer indeed...

[Olivavu]

In retrospect yes. But when he died.......man it was all over.........until Vedder showed up!

A hugely underated and under publicised (by the British press of course) piece of rock history. Let no one tell you otherwise.

The Sun is Often Out is a great album from an otherwise shit time in music history.

[Cultseeker]

I loved '1977' by Ash and the eponymous debut from Placebo from 1996 as well.

[Olivavu]

Placebo certainly warmed things up a tad. Quality, quality album. Superseded by their second............a friend in need's a freind indeed, a freind with weed is better...... That summed the era up quite nicely, there's nothing going on in music so become oblivious............with insight like that no wonder they ended up playing with the Cure man.

[Cultseeker]

I love Placebo, seen them plenty of times as well.

'Placebo' and 'Without You I'm Nothing' are their finest works by a distance. 'Black Market Music' does have 'Narcoleptic' and 'Peeping Tom' however, and they are two of my favourite Placebo tracks.

Brian Molko is a fine vocalist as well as lyricist, a lot of his wording is sublime and so wonderfully insightful.

Their last couple of albums haven't been nearly as good as the early stuff, but when they played 'Come Home' at Alexandra Palace, I was most satisfied...

[Olivavu]

Been inspired to listen to 'Narcoleptic' and 'Peeping Tom' right now...

I've got the first two, but sadly they just seemed to be flogging a dead horse to me post-Withou You I'm Nothing. Good band and I'll be there for the pre Pearl Jam set, bet your ass. No denying the mans lyrical worth.

[jammy2211]

You should increase your collection mate...I have 420 PJ tracks myself...can't get enough of them

[Olivavu]

I probably will, but rearviewmirror is a 33 track album + another 20 or so tracks I've got on the others. It's hard to find time to listen and appreciate to all of them at the moment, but I reckon I'll purchase a few more classics once I've given those the respect they deserve.

I'm particually more fond of the older songs, so with that in mind, and the fact I want the album most likely to have more of their songs from the set list on, what would you say is the next album I should be looking into getting?

[Olivavu]

A little bio for jammy2211 to read sometime...

Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll

band of the '90s. After vocalist Andrew Wood overdosed on heroin in 1990, guitarist Stone Gossard and bassist Jeff Ament assembled a new band, bringing in Mike McCready on lead guitar and recording a demo with Soundgarden's Matt Cameron on drums. Thanks to future Pearl Jam drummer Jack Irons, the demo found its way to a 25-year-old San Diego surfer named Eddie Vedder, who overdubbed vocals and original lyrics and was subsequently invited to join the band (then christened Mookie Blaylock after the NBA player). Dave Krusen was hired as the full-time drummer shortly thereafter, completing the original lineup. Renaming themselves Pearl Jam, the band recorded their debut album, Ten, in the beginning of 1991, although it wasn't released until August; in the meantime, the majority of the band appeared on the Andrew Wood tribute project Temple of the Dog. Krusen left the band shortly after the release of Ten; he was replaced by Dave Abbruzzese.

Ten didn't begin selling in significant numbers until early 1992, after Nirvana made mainstream rock radio receptive to alternative rock acts. Soon, Pearl Jam outsold Nirvana, which wasn't surprising -- Pearl Jam fused the riff-heavy stadium rock of the '70s with the grit and anger of '80s post-punk, without ever neglecting hooks and choruses; "Jeremy," "Evenflow," and "Alive" fit perfectly onto album rock radio stations looking for new blood. Pearl Jam's audience continued to grow during 1992, thanks to a series of radio and MTV hits, as well as successful appearances on the second Lollapalooza tour and the Singles soundtrack (Stone Gossard also embarked on a side project called Brad, which released the album Shame in early 1993).

Despite their status as rock & roll superstars, the band refused to succumb to the accepted conventions of the music industry. The group refused to release any videos or singles from their second album, 1993's Vs. Nevertheless, it was another multi-platinum success, debuting at number one and selling nearly a million copies in its first week of release. On their spring 1994 American tour, the band decided not to play the conventional stadiums, choosing to play smaller arenas, including several shows on college campuses. Pearl Jam cancelled their 1994 summer tour, claiming they could not keep ticket prices below 20 dollars because Ticketmaster was pressuring promoters to charge a higher price. The band took Ticketmaster to the Justice Department for unfair business practices; while fighting Ticketmaster, they recorded a new album during the spring and summer of 1994. After the record was completed, the group fired Dave Abbruzzese, replacing him with former Red Hot Chili Peppers and Eleven drummer Jack Irons.

Vitalogy, the band's third album, appeared at the end of 1994. For the first two weeks, the album was only available as a limited vinyl release, but the record charted in the Top 60. Once Vitalogy was available on CD and cassette, the album shot to the top of the charts and quickly went multi-platinum. Pearl Jam continued to battle Ticketmaster in 1995, but the Justice Department eventually ruled in favor of the ticket agency. In early 1995, the band recorded an album with Neil Young. Meanwhile, Vedder toured with his wife Beth's experimental band Hovercraft in the spring of 1994 as Stone Gossard founded an independent record company; Mad Season, Mike McCready's side project with Layne Staley of Alice in Chains, released their first album, Above, in the spring of 1995. Comprised entirely of Neil Young songs, Mirror Ball appeared in the summer under Young's name; although the individual members of the band were credited, the name Pearl Jam did not appear on the cover due to legal complications. Pearl Jam released a single culled from the sessions, titled Merkinball and featuring the songs "I Got Id" and "Long Road," in the fall of 1995.

In late summer of 1996, Pearl Jam released their fourth album, No Code. Although the album was greeted with fairly positive reviews and debuted at number one, its weird amalgam of rock, worldbeat, and experimentalism dissatisfied a large portion of their fan base, and it quickly fell down the charts. The record's performance was also hurt by Pearl Jam's inability to launch a full-scale tour, due both to their battle with Ticketmaster and a reluctance to spend months on the road. The band spent most of 1997 out of the spotlight, working on new material; Gossard also released a second album with his side project Brad, titled Interiors. By the end of the year, Pearl Jam had completed a new, harder-rocking record entitled Yield. The album was greeted with enthusiastic reviews upon its February 1998 release, but its commercial fortunes weren't quite as clear cut. While their sizable cult embraced the album, sending it to number two its first week of release, Yield quickly slipped down the charts. Pearl Jam supported the record with a full-scale arena tour in the summer of 1998, issuing the concert LP Live on Two Legs at the end of the year; Jack Irons did not participate due to poor health, and was replaced by ex-Soundgarden drummer Matt Cameron.

In 1999, Pearl Jam scored an unlikely pop radio smash with their cover of the J. Frank Wilson oldie "Last Kiss," originally released as the seventh in a series of fan club-only singles that had also featured several incongruous covers in the past. Demand from fans and radio programmers resulted in the nationwide release of "Last Kiss," and it eventually became the band's highest-charting pop hit to date, peaking at number two and going gold. The group returned in 2000 with the Tchad Blake-produced Binaural. In order to circumvent bootleggers, their subsequent European and American tours were recorded in full and released in an unprecedented series of double-CD sets, each of the 72 volumes featuring a complete concert. 2002 saw the release of Riot Act, a muscular -- and critically lauded -- collection of new songs that found the group dabbling in experimental art rock. Two anthologies arrived in 2003 and 2004, Lost Dogs: Rarities and B Sides and Rearviewmirror: Greatest Hits 1991-2003, followed by the eponymous (and all-new) Pearl Jam in 2006.

[Olivavu]

Anyone else ordered this yet?

[Cultseeker]

Placebo before Pearl Jam is the best end to a Reading Festival I've ever known...personally, in this day and

[Olivavu]

Jools Holland: "An avocado, now is that a fruit or a vegetable?"

Eddie Vedder: "I don't care."

[pinback]

Dude, when you've seen Pearl Jam co-exist with Tool , Dinosuar Jr, SweveDriver, Soundgarden, Nine Inch Nails, White Zombie and the Cult, Placebo kinda fade away..............................with of course all due respect (Placebo are clearly a quality band).

[Olivavu]

Dude, when you've seen Pearl Jam co-exist with Tool , Dinosuar Jr, SweveDriver, Soundgarden, Nine Inch Nails, White Zombie and the Cult, Placebo kinda fade away..............................with of course all due respect (Placebo are clearly a quality band).

[Cultseeker]

I wouldn't go that far (i.e. Placebo are rubbish). But Dino Jr., Swervedriver and NIN I certainly have fond memories of